A man, who is at the crossroads, experiences the pain of his own transformation. He throws his lost body in an extremely expressive dance, he goes mad and calms down again, to go, to lift 17 centimeters above the earth… Concept, Direction, and Choreography: Jorge Puerta Armenta. Created with Pablo Aran Gimeno. Tech director: Marco Wehrspann. Photo by Maarten Vanden Abeele.

The auditioning adventures of loveable underdog Zoe, who dreams of landing an acting job. Her over-the-hill agent sends her on a spree of odd auditions ranging from Riverdance to Spiderman to being shot out of a cannon in a touring circus. Getting farther from her dream, Zoe just might be getting closer to herself…An uplifting tale of self-realization. To quote Oscar Wilde, “Be yourself, everyone else is taken.”

When Sarah, an adoptee from the PA Dutch Country, is unexpectedly FOUND by her biological mother, she is elated at the promise of understanding, connection and meaning to her existence… Not! This is a journey about feeling LOST, being FOUND and getting LOST all over again – THE FUNNY WAY. Photo by Christine Butler.

Don’t Cry for Me Banks of Wall Street is the story of an ambitious, young college student whose heart and mind tell him different things. He interns at a major NYC investment bank and quickly realizes he must be an actor.

A victim of love waits for the call that will both give him life and take it away from him. The wait and hope, filled with desperation. (In)communication, the solitude of big cities, the option of living a lie, and the addictions that create emotional dependency. One everyday phone call in which what isn’t said is as important as what you hear. A tribute to everyone who is alone in NYC. Directed by Rafael Abolafia.

A zany tribute to all the muscles of the body and then some. Dr. Nickie Nom, acclaimed anatomical forensic surgical specialist and poet, gives a reading from her book of poems, Namely Muscles. The reading goes hilariously awry as Dr. Nom finds herself entangled by “Psoas, The Tender Bender,” “Gluteus to My Ears,” “Just the Meat,” and many more. Photo by Eleanora Alberto.

Greatest Italian hits in new arrangements, with slight impressions taken from Polish culture. More than just a concert, Mariotti’s show is actually a cabaret-style, interactive show, which takes the audience on a journey to the heart of what’s best about Italian culture. With her unique take on both countries, Monika astonishes and mesmerizes while talking about how she sees Polish reality. Director: Monika Mariotti & Artur Kot. Musical director: Michał Lamża.